Art Galleries

Maria T.D. Inocencio, Comforter-Beloved Embrace detail, 2018, paper, acrylic, glue, thread, 144″ x 96″ x 84″

This media file is attached to: What is Considered and Shared

A sculptural installation hangs from the ceiling of a gallery, with a grey concrete floor below and other artworks on a white wall in the background. The installation consists of strips of white paper with green paper leaf shapes attached to each other end to end. These hang at different levels but do not reach the floor. Each strip is suspended from a wooden bar that is attached to the ceiling joists. The leaves create a small area for a viewer to stand under.

Maria T.D. Inocencio, Comforter-Beloved Embrace detail, 2018, paper, acrylic, glue, thread, 144" x 96" x 84"

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Digital photograph of a still life arrangement set on a gray reflective surface, with a darker gray background. A round black form serves as a base for a number of items: a silver tin can with an indigo triangle on top of it on the right; a silver stem with a red cube and gold vase beside that; a white goblet on its side in front of the tin can; on the left a ribbed silver form with a gold wire shape on top of it; behind on the center and left is a piece of wood plank, cut at an angle and sitting on end.

Todd Johnson, Untitled (Meditations), 2020, digital photograph, 29.5″ x 23.5″

Watercolor painting of folded clothes and fabrics. The fabrics are layered on top of each other in a mountain form, with the horizontal lines of the folds appearing like layers of geological strata. There is light blue at the bottom, shades of light grays and browns in the middle, an orange diagonal that dips down to the lower right corner, and light greens on the top of the mound. The background is mostly white with light pinks and grays.

Bethany Hays, Erratic 2, 2016, watercolor on paper, 30″ x 22″